HUG (AT) is the latest duet version of Marion Plantey’s larger project which was performed on 07.12.24 at Südufer, Freiburg. The performance explores intimacy and touch through a trauma-sensitive lens in a relaxed performance setting.
Performance as dancer and actor in the reworked, new version of Rameau's lost opera Samson. Created by Claus Guth and Raphaël Pichon and performed for the Festival d'Aix-en-Provence in July 2024.
An exploration of social norms and connections within an exhibition space around the themes of water, memory and embodiment.
A filmic experiment attempting capture traces of my recent fabric and movement explorations.
Was kann die Maschine? Was kann der Mensch? Uraufführung am 25 Sept 2021 in Hellerau Europäisches Zentrum der Künste im Rahmen des Festivals "Dancing About"/TANZPAKT Dresden.
Endings, expectation, time. Passing, standing still or just arrived?
"Playing Dead & Doing Time" weaves and untangles questions of ends and decay, while considering human and non-human viewpoints in the interconnected space between death and time.
A teaser for Victoria’s Contemporary Training. Thanks to all who made this possible.
While on the surface Leoš Janáček's DIE SACHE MAKROPULOS is a crime play about a complex inheritance dispute, on a deeper level the opera raises existential questions about eternal life and what price you pay for that dream.
“Lost” is a matter of perspective.
Created for International Video Solo Dance Competition "Die glorreichen Acht"
Everyone wants to get likes, have their posts shared and enjoy the limelight. But when the light goes out and you're no longer the centre of attention, who are you, exactly?
Hi all you lonely love birds! This is a recap for our pandemic-love-life inspired show: A Dating Extravaganza.
Here it is! The long-awaited moment has arrived -- Episode 1 of the The Dating Extravaganza!
Featuring Nathalie Wendt, Victoria McConnell, Lilith Maxion, Annalena Steiner, Cara von Stockert, Andreas Giesser and Lukas Hoffmann
Endings, expectation, time. Passing, standing still or just arrived?
Without the knowledge of a coming end, there is no sense of time as we know it. Or is it only a matter of perspective? "Playing Dead & Doing Time" weaves and untangles questions of ends and decay, while considering human and non-human viewpoints in the interconnected space between death and time.
A piece made of endings.
How do we know when it's over? When do we end the dance, the film, or the career and what about death, the ultimate ending? Taking a seriously over-the-top look at dying, this movement-theater film deals with expectation and time. Without an end, there is no sense of time as we know it. Or is it only a matter of perspective?
Violetter Schnee I Opera Season 2018/19, 2020, 2024 I Music by Beat Furrer I Text by Händl Klaus based on a work by Vladimir Sorokin, translated by Dorothea Trottenberg.
A world-renowned sensuality researcher & laugh-lecturer, Kelvin is an expert in Dating, Confidence & the Art of Seduction.
HEART CHAMBER [An inquiry about love] by Chaya Czernowin
World premiere on 15 November 2019 at Deutsche Oper Berlin
a dance between understanding and misinterpretation in 3 phases.
The daughter of the powerful spirit ruler Keikobad was hunted by the emperor when she had taken on the form of a gazelle and then became empress by marrying him. Now, to prevent the emperor from being turned to stone, she must cast a shadow, symbolized by being able to bear a child. In the human world, she tries to buy the shadow of a childless dyer’s wife. But when she realises that she can only buy her luck through this couple’s misfortune, she decides to relinquish her wish.
Created in Seattle as a film and live performance, Arc & Arrow weaves together the screen, dance, and the live music of Julia Massey and the Five Finger Discount to create an atmospheric exploration of opposites intersecting and how that may create a richer whole.
Net//Works explores how systems of physical and personal boundaries create inclusive and exclusive mentalities toward immigration and border crossing.
